Piece from almost a year ago. Posted on the Instagram account back then; did a couple slight revisions the meanwhile, mostly having to do with just balancing the faces and head shapes surprisingly enough. (I can see why most artists avoid doing the downward-angled head at a slight turn from center. I think though that this was drawn before I had a more solid undersketch system down, or of establishing the feature distances on a character's face.)
Showing posts with label therapsid. Show all posts
Showing posts with label therapsid. Show all posts
Saturday, June 16, 2018
Monday, February 21, 2011
~ Color Studies, or: Comic Panel Procrastination... ~






Wanted to do some studies in color. These are around the Golden Hour, sunset. I have another set of panels set during mid-day; I'll post those next time. The negative space is presumably for word bubbles. The panel layout was kind of an after-thought.
I'm noticing that I need to open up my character expression vocabulary a little more, give them a bigger variety of emotions and expressions. As is, I'm tending to start these scenarios or scenes with the introductory shot of someone looking dire or morose. I blame Russian novels.
Besides this, I need to work more on being able to pace a scene out, find where to bring the emotional level up during an interaction between characters. Plus, there are more than a few ways to make a scene interesting without having to resort to yelling and/or violence. I blame Tarantino* and whoever made Lock, Stock, and Two Smoking Barrels.
(*Although he's gotten better. Reservoir Dogs is the only one that I've seen that's annoying in that respect.)
Something from the sketchbook this past week:
On a side note: Fabric softener is probably one of the best inventions of the modern world.






Wanted to do some studies in color. These are around the Golden Hour, sunset. I have another set of panels set during mid-day; I'll post those next time. The negative space is presumably for word bubbles. The panel layout was kind of an after-thought.
I'm noticing that I need to open up my character expression vocabulary a little more, give them a bigger variety of emotions and expressions. As is, I'm tending to start these scenarios or scenes with the introductory shot of someone looking dire or morose. I blame Russian novels.
Besides this, I need to work more on being able to pace a scene out, find where to bring the emotional level up during an interaction between characters. Plus, there are more than a few ways to make a scene interesting without having to resort to yelling and/or violence. I blame Tarantino* and whoever made Lock, Stock, and Two Smoking Barrels.
(*Although he's gotten better. Reservoir Dogs is the only one that I've seen that's annoying in that respect.)
............
Something from the sketchbook this past week:
On a side note: Fabric softener is probably one of the best inventions of the modern world.
Sunday, September 27, 2009
Labels:
Guo,
sequentials,
sketches,
storyboards,
therapsid,
vignettes
Saturday, August 22, 2009
~Just in time for the weekend ~
Playing catch-up from last week's lack of posts:

Small scrap vignette from a 3 page short sequence. I ended up doing another version of this with different poses that I liked better:
.................
...With Ignorance and Want clinging tenaciously.
Yeah, technically they were with Ghost of Christmas Present, but I liked how Dickens described Christmas Future. And besides, these two brats ought to have been hanging out with the shadowy silent ninja character anyway - literally the Snake Eyes of the story. (Other options include Cthulhu and Soundwave.)
Playing catch-up from last week's lack of posts:

Small scrap vignette from a 3 page short sequence. I ended up doing another version of this with different poses that I liked better:
.................Been jumping between A.C. Doyle and Charles Dickens over the past week. First time I've had a chance to read either, including A Christmas Carol. Couldn't help but see Patrick Stewart as Scrooge every other 5th page...
Anyhow, ended up drawing the Ghost of Christmas Future (in a pose suspiciously similar to one I posted two weeks ago)... :
Anyhow, ended up drawing the Ghost of Christmas Future (in a pose suspiciously similar to one I posted two weeks ago)... :
...With Ignorance and Want clinging tenaciously.Yeah, technically they were with Ghost of Christmas Present, but I liked how Dickens described Christmas Future. And besides, these two brats ought to have been hanging out with the shadowy silent ninja character anyway - literally the Snake Eyes of the story. (Other options include Cthulhu and Soundwave.)
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