Might as well start off with something that I won't cringe at in a few weeks' time:
And now, the cringe-worthy stuff. An attempt at telling a story. Also, words in the margins, when legible:
No surprise that UFO documentaries were on the playlist while I was drawing these. Still feeling I've got a bit of hit-and-miss with the drawing end of things, esp. the faces. These are cool-out pages from after work, and afterwork usually has an amount of mindless Youtube playing in the background while busting out in the sketchbook; so that may have something to do with it, the distraction and all. I think the trick is to not have anything visual moving in front of you on a monitor, just the audio. Plenty of the Unsolved Mysteries soundtrack and narration that fueled the above, for better or for worse.
Have noticed that I tend to have at least two panels that are fairly close in pose or composition whenever doing these things. Probably the need to do something other than a first pass that's subconsciously nagging at me; "Redraw that again, y'big dummeh!" My subconscious apparently being Redd Foxx. Which would explain the recurring theme of naked ladies.
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Channeling the spirit of Marina.








